Artistry within Photography
I think it’s official – my favorite two things to photograph are wildlife and urbex, and I simply have not had enough of the latter in my photo activities. I’m sure that must be why I have lacked enthusiasm with my lens. So I have decided to revisit some of my urbex shots, this one from the Queen Creek area.
Camera: Nikon D3000 with 18-55mm Nikkor Lens
Processing: Adobe Lightroom 3, Photomatix Pro 4, Topaz Adjust
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It feels like it’s been awhile since I posted some good ole urbex, so I thought I’d share the alternative perspective of the abandoned building along the Beeline Highway.
Camera: Nikon D3000 with 18-55mm Nikkor Lens
Processing: Adobe Lightroom 3, Photomatix Pro 4, Topaz Adjust
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Some days, me and my bracketing do not get along. I guess since my new Nikon D90 does it more automagically than my previous D3000, I’ve gotten a little lazy about checking my shots after taking them. Here’s an example of what can go wrong when you don’t (but I still loved the scene anyway).
Camera: Nikon D90 with Nikon 18-105mm
Processing: Adobe Lightroom 3, Photomatix Pro 4
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Somewhere along the highway in Northern Arizona, we stopped near a tunnel which normally would have had my attention due to its symmetry and bit of graffiti on the inside. But instead, I was attracted to the red of the dirt – it was soft like a beach without water and extremely vibrant!
Camera: Nikon D3000 with 18-200mm Nikon Lens
Processing: Adobe Lightroom 3, Photomatix Pro 4
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A few weeks ago, my hubby posted a black and white version of this room from Trotter Park. I was all excited about titling mine Bye Bye until I realized he had done the same, but it is really too perfect of a title to pass up. So here, I present to you the colorized version of the same urbex room.
Camera: Nikon D3000 with 18-55mm Nikkor Lens
Processing: Adobe Lightroom 3, Photomatix Pro 4, Topaz Adjust
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On the last trip to the greyhound park in Black Canyon City, I thought I’d take advantage of my new 50mm lens and use it on the old letters that were lying around behind the ticket counter. I’d say this lens definitely did a much better job than my last attempt at a similar shot.
Camera: Nikon D3000 with 50mm Nikon Lens
Processing: Adobe Lightroom 3, Topaz Adjust, Photomatix Pro 4
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For this week’s urbex adventure, I’m pulling another shot from inside Phoenix Trotting Park. This was probably the most colorful room in an urbex location that was not covered in graffiti.
Camera: Nikon D3000 with 18-55mm Nikkor Lens
Processing: Adobe Lightroom 3, Photomatix Pro 4, Topaz Adjust
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Sometimes those random turn off points can be the home to some amazing views.
Camera: Nikon D3000 with 18-55mm Nikkor Lens
Processing: Adobe Lightroom 3, Photomatix Pro 4, Topaz Adjust
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I love urbex… I won’t deny it. We didn’t stay long at this urbex along the Beeline Highway since there wasn’t a lot to shoot, but each shot we did get was awesome. Like this one that just proves how determined street artists are – they covered every inch of this building, all the way down to the underside of the stairs. If they could reach it, they tagged it!
Camera: Nikon D3000 with 18-55mm Nikkor Lens
Processing: Adobe Lightroom 3, Photomatix Pro 4, Topaz Adjust
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Or as close to rolling hills as you can get in Arizona. While storm chasing over the weekend, we pulled off the road to take in some lovely cloud action while being watched by a large black bull and his calf. I was pretty sure he was going to chase us, but they just crossed the road instead.
Camera: Nikon D3000 with 18-55mm Nikkor Lens
Processing: Adobe Lightroom 3, Photomatix Pro 4
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